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L'Imprudent” and René Magritte's Use of Doubles and Doppelgängers | Impressionist & Modern Art | Sotheby's
![From MAGRITTE to DUCHAMP. 1929: the Great Surrealism from the Centre Pompidou – Toscana e Chianti Magazine From MAGRITTE to DUCHAMP. 1929: the Great Surrealism from the Centre Pompidou – Toscana e Chianti Magazine](https://www.toscanaechiantimagazine.com/wp-content/uploads/2018/12/COPERTINA-19.jpg)
From MAGRITTE to DUCHAMP. 1929: the Great Surrealism from the Centre Pompidou – Toscana e Chianti Magazine
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da MAGRITTE a DUCHAMP. 1929: il Grande Surrealismo dal Centre Pompidou" - Exhibitions, Senza categoria - Panstudio Architetti Bologna
![Visitor in front of the painting La clef des champs (The Key to the Fields, 1936) by Belgian surrealist artist Rene Magritte displayed at his retrospective exhibition in the Centre Pompidou in Visitor in front of the painting La clef des champs (The Key to the Fields, 1936) by Belgian surrealist artist Rene Magritte displayed at his retrospective exhibition in the Centre Pompidou in](https://c8.alamy.com/comp/HHB405/visitor-in-front-of-the-painting-la-clef-des-champs-the-key-to-the-HHB405.jpg)
Visitor in front of the painting La clef des champs (The Key to the Fields, 1936) by Belgian surrealist artist Rene Magritte displayed at his retrospective exhibition in the Centre Pompidou in
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